[We open with a black and white film with several different segments a street parade with people carrying American flags, soldiers wading ashore from landing vehicle, JFK, moon landing, Churchill, Gandhi. While this montage is playing, a commentary is provided by Jimmy.]
JIMMY [VO]:
[Classroom, pan across a desk where a youngster is writing in an exercise book: "When I grow up", Then the camera pans to show the classroom. The view changes from B&W to color.]
JIMMY [VO]:
[Pan to teacher, sat at her desk, and young girl standing by the desk and addressing the class.]
JIMMY [VO]:
GIRL:
[She gestures the obvious with her hands.]
[Fast cut. Now a young boy stands in the same place.]
BOY:
[Cut to another young girl.]
GIRL 2:
[Cut to another young boy.]
BOY 2:
[Cut to another young boy wearing a brown suit and tie.]
BOY 3:
[A special legend appears on the screen.]
[Cow shed. Man walking between cows, sounds of mooing then tapping sounds. Man walks to end of cowshed and there is a young boy with a computer perched on top of a large bale of hay.]
MAN:
[Ringo stands up - he's wearing dungarees and has thick black framed glasses and very short hair.]
RINGO:
[Another legend appears.]
[Cut to shot of a group of High School students wearing their school's football team jackets, walking past a campus building]
[Somebody small grabs the leading student from behind round the neck.]
ASSAILANT:
[They both fall to the ground. The assailant is a bespectacled individual wearing a black leather jacket.]
ASSAILANT:
STUDENT:
ASSAILANT:
[The assailant gets up and then so does the student.]
STUDENT:
[The assailant shakes his head and walks round the student.]
ASSAILANT:
[He glances over at two girls chatting by the fence then turns back.]
[A third legend appears.]
[Screen splits into three vertical sections, with photos of then-Frohike, then-Langly and then-Byers.]
JIMMY [VO]:
[The photos change to show now-Frohike, now-Langly and now-Byers.]
JIMMY [VO]:
[The photos change to film footage, the breeze blowing Langly's locks, the camera angle then moving back and up showing the three in very heroic poses. The backgrounds are red, white and blue.]
JIMMY [VO]:
[The Lone Gunmen's VW draws up outside the building.]
JIMMY [VO]:
[BYERS gets out of the VW.]
JIMMY [VO]:
[BYERS approaches the steps leading into the building.]
[Cut to a machine. It is producing censored copies of documents.]
[Byers enters a room that has a chain link fence running floor to ceiling down the middle of it. He approaches a desk where a man sits operating the stamping machine. Byers signs the register. The clerk looks at him and sneers.]
CLERK:
[BYERS nods slightly.]
CLERK:
BYERS:
CLERK:
[Byers looks impassively at the clerk.]
CLERK:
BYERS:
CLERK:
BYERS:
[He takes a piece of paper out from his jacket pocket.]
BYERS:
[He unfolds the paper and drops it on the counter.]
[The clerk peruses the paper.]
CLERK:
[Byers looks somewhat smug.]
BYERS:
[The clerk lifts up a heavy sealed cardboard box onto the counter.]
CLERK:
BYERS:
[BYERS quickly completes the register.]
[Cut to Lone Gunmen offices. Frohike is feeding a sheet of paper into a shredder.]
FROHIKE:
[He's collected the shredded paper onto a piece of cardboard, which he shows to Jimmy.]
FROHIKE:
JIMMY:
[Frohike takes Jimmy's hand and places the piece of cardboard on it.]
FROHIKE:
[Frohike walks off towards Langly who's sat at a computer.]
FROHIKE:
[He kicks Langly's chair.]
LANGLY:
[Computer monitor shows a Civilization-type computer game - castle, moat, forest.]
JIMMY:
LANGLY:
FROHIKE:
[Frohike looks at Jimmy.]
FROHIKE:
[The door buzzer sounds. Jimmy checks the monitor. He opens the door and Byers falls in clutching the very heavy cardboard box which he drops on the floor.]
JIMMY:
[JIMMY picks the box up.]
JIMMY:
[Byers struggles to his feet and closes the door. Jimmy drops the box onto the table where Frohike is sitting.]
JIMMY:
BYERS:
FROHIKE:
LANGLY:
BYERS:
[Frohike has got the box open. He and Byers stare in dismay at the contents. Byers grabs and pulls out from the box a large concrete block.]
FROHIKE:
LANGLY:
[Jimmy has picked up a sheet of paper that was in the bottom of the box.]
LANGLY [concentrating on his monitor]:
JIMMY:
[He holds it up, most of the contents on the sheet have been blacked out.]
FROHIKE:
FROHIKE [to Byers]:
JIMMY:
FROHIKE:
LANGLY:
JIMMY:
[Frohike reacts to the name. He looks over and sees Jimmy put the paper into the shredder. He shouts "No!" and attempts to get to the shredder, Everything is in slo-mo. He launches himself towards the machine, falls, slides along the floor, grabs the plug and pulls it. Langly's computer powers down. Langly starts to hyperventilate.]
[Cut to shredder, which is still working, as the paper finally disappears.]
[Cut to Langly who cries out in rage and hits his head on the keyboard.]
[Later. Cut to Frohike working on the shredded paper on a light box, he's placing the bits between two sheets of clear plastic.]
JIMMY:
[Frohike points a finger at him in a "shut up" manner.]
[Frohike puts the plastic sheets with the bits in between in a scanner and then sits at a computer. He using software which is reconstructing the document. Very cool.]
JIMMY:
[The other three look at him and then back at the computer screen.]
JIMMY:
BYERS:
LANGLY:
BYERS:
FROHIKE:
BYERS:
FROHIKE:
JIMMY:
FROHIKE:
[Jimmy grimaces.]
JIMMY:
FROHIKE:
JIMMY:
FROHIKE:
[He turns to Jimmy]
JIMMY:
[Angry, Frohike goes for Jimmy but Langly and Byers holds him back.]
BYERS:
FROHIKE:
BYERS:
[Frohike is eased back down onto his chair. The computer is beeping and the monitor shows: "Displayed constructed document?"]
BYERS:
FROHIKE:
LANGLY:
[He goes off to another computer]
BYERS:
JIMMY:
BYERS:
FROHIKE:
[Fade to black]
[Night. A silver sports car draws up into parking bay next to another vehicle. Yves gets out.]
YVES:
MAN:
YVES:
[Yves goes to get back in her car.]
MAN:
YVES:
MAN:
YVES:
MAN:
YVES:
[Yves gets into her car and starts the engine.]
[Cut to view through telephoto lens of house and a fence that has a tag on it: Mizer. Frohike is taking photographs. ]
FROHIKE:
BYERS:
FROHIKE:
[Byers is looking at him a bit suspiciously.]
FROHIKE:
[Cut to Frohike ringing the front door bell. There's no answer.]
FROHIKE:
[The two look around. A dressed as a mailman is approaching. He pushes open the wooden garden gates and, in slo-mo, pulls his shoulder bag round in front of him. He lifts the cover and puts his hand inside the bag as Frohike watches with increasing alarm. Just then the front door is opened by a young woman and Frohike pushes Byers in through the front door and Byers cannons into the young woman who cries out in alarm. Frohike slams the door shut and yells through the letter box.]
FROHIKE:
[Just then a couple of envelopes are pushed through the letter box. Byers glares at Frohike who is sat on the floor. Byers goes over and picks up the letters and whispers "Frohike!" at him.]
[Byers hands the letters to the woman, Shelly Mizer.]
BYERS:
[Shelly snatches the letters from Byers and then looks at Frohike.]
SHELLY:
FROHIKE:
SHELLY:
[Shelly goes off and starts telephoning. Frohike rushes after her, with a copy of the document.]
FROHIKE:
SHELLY [on phone]:
[She waits on the phone and eventually sighs]
SHELLY:
FROHIKE:
[Shelly snatches the paper from Frohike. She looks at it and then back at Frohike. She is still holding the phone as she ponders Frohike's request.]
[Cut to The Lone Gunmen offices. Langly is working on a laptop, Jimmy is looking at the piece of paper. Langly yells.]
LANGLY:
JIMMY:
[Langly looks at Jimmy.]
LANGLY:
[Langly rubs his eyes in exhaustion.]
JIMMY:
LANGLY:
[Suddenly Langly stands up and grabs the paper.]
LANGLY:
[Jimmy doesn't know what to say.]
LANGLY:
[Cut to a reinforced glass paneled door, reading: Records Room R-126. We see through the glass the clerk and Yves talking together. Yves seems to be chatting him up and he seems to be quite enthralled by her. Someone is watching them from outside the door. Yves leans over the counter and whispers something in the clerk's ear. Yves walks towards the door and the watcher moves away. Yves leaves the room and walks down the corridor. The watcher comes into view - it's Farst, the man she was talking to earlier. ]
[Cut to the clerk's office. He's sitting there with a contented look and the lipstick remains from a kiss on his face. Farst enters and goes over to the counter.]
FARST:
[The clerk appears a little nervous.]
CLERK:
FARST:
CLERK:
[Farst just smiles back at him.]
[Later Langly and Jimmy are walking down a corridor towards the clerk's office.]
LANGLY:
[They have entered the office and walk towards the counter. The camera pans to the counter where the Clerk has his head on the top by the machine which is busy stamping his necktie.]
JIMMY:
[Langly covers his mouth with his hand and runs fast out of the office. Cut to the Clerk - the machine is repeatedly pulling on his tie - his eyes are open but he is clearly dead.]
[Fade to black.]
[Shelly's basement. It is filled with stacks of documents on shelves and tables.]
SHELLY:
[Shelly followed by Byers and Frohike descend the stairs. Frohike stands and looks around. Byers starts looking through the papers.]
FROHIKE:
SHELLY:
[She starts up the stairs.]
FROHIKE:
[Shelly looks briefly at him and continues up the stairs. Byers and Frohike continue looking round the basement which we see is much larger than at first sight.]
BYERS:
FROHIKE:
[Byers' cellphone rings.]
BYERS:
[Cut to clerk's office where a murder investigation is going on.]
LANGLY:
BYERS:
LANGLY:
[Cut to Byers]
BYERS:
[Frohike sits down with a crash.]
[Cut to Langly.]
LANGLY:
BYERS [VO]:
[Cut to Byers]
BYERS:
LANGLY [VO]:
[Cut to Langly]
LANGLY:
[Cut to Byers and Frohike, who is still struggling where he fell.]
FROHIKE:
BYERS:
[Shelly has come back down into the basement.]
SHELLY:
[Frohike who is still stuck looks over to a small framed painting on a low shelf.]
FROHIKE:
SHELLY:
FROHIKE:
SHELLY:
[She hands it to him and Frohike puts it on a desk and turns on a lamp. It's a child's painting, probably about kindergarten age. Frohike points to something.]
FROHIKE:
SHELLY:
[Frohike is taking off the backing. He takes out the painting and turns it over. It's a photograph of two men, one in mechanic's overalls, the other in jacket and tie and wearing a hat.]
FROHIKE:
[He points to the mechanic.]
FROHIKE:
SHELLY:
[Frohike is looking at the photograph through a magnifier. It shows "GUTHRIE" on the mechanic's name tag and then pans to the left to show the initials "J.T." ]
FROHIKE:
[Cut to the VW traveling down a country road. It passes a blue road sign saying: 14 BARD ND.]
[Byers in the passenger seat checks the side mirror.]
BYERS:
[Frohike who is driving is doing likewise.]
BYERS:
[Langly is in the back working on a laptop.]
LANGLY:
[The laptop shows their position on a map.]
LANGLY:
[View of the rest of the inside of the VW. Also there are Shelly and Jimmy.]
SHELLY:
FROHIKE:
[Shelly and Jimmy are enjoying this piece of nostalgia. Suddenly there's a bang and the VW starts to veer off the road. Frohike is struggling to control the vehicle.]
FROHIKE:
[An alarm starts sounding. Langly is shouting. Eventually the VW comes to a halt. Shelly gets up.]
FROHIKE:
[Shelly gets out and looks at the vehicle - the passenger side rear tire is flat. She seems exasperated by the reactions of the others.]
SHELLY:
[The rest climb out.]
SHELLY:
[The others look somewhat embarrassed. We see Langly is wearing a Motorhead t-shirt.]
LANGLY:
JIMMY:
[Byers and Frohike exchange a look and Byers goes over the get the log. Jimmy warms up his arms and shoulders by doing windmill exercises, then waist turns. He spits on each hand then crouches down, his back against the vehicle and grabs hold of the wheel-arch. He braces and starts to lift the vehicle. It gets enough height to raise the damaged tire off the ground. He lifts a bit further - and the VW topples over on to its side. It rolls over and down into a water-filled gully, landing on its side. They all stand and stare. Byers throws the log down onto the ground.]
[A "Drake" recovery vehicle is towing the VW into a yard. The guys and Shelly climb out, and the tow truck moves off. ]
BYERS:
LANGLY:
FROHIKE:
[There's a sound of a cow mooing.]
LANGLY:
JIMMY:
LANGLY:
[Behind Langly and Jimmy a man slides open a barn door and comes out into the yard. Langly spots him.]
LANGLY:
MAN:
[He shakes Langly's and then Jimmy's hands.]
MAN:
LANGLY:
MAN:
[Langly looks in surprise at Jimmy who smiles and raises his eyebrows.]
LANGLY:
[Langly has the piece of paper. The man turns and starts walking away. Langly follows him.]
MAN:
JIMMY:
[The man turns back.]
JIMMY:
MAN:
LANGLY:
JIMMY:
MAN [angry]:
LANGLY:
MAN:
[Langly nods.]
MAN:
LANGLY [fter a pause]:
MAN:
[The man walks off. Langly stands there, Jimmy looks at him in dismay.]
[Cut to a gloved hand and arm with lubricant being put on it. Pan up - the hand and arm are Langly's. He's nervous.]
MAN:
[J.T. moos. Langly is almost hyperventilating. Jimmy looks disgusted.]
MAN:
[Langly is obviously not liking this at all.]
MAN:
[He holds J.T.'s tail just at the right angle so we can't see where Langly's putting his hand. Langly, grimacing with disgust, begins the procedure. J.T. is vocally expressing displeasure.]
MAN:
LANGLY:
[J.T. is definitely not happy.]
MAN[to Jimmy] :
JIMMY:
[The man tut-tuts at Jimmy who's got a little too close the J.T.]
MAN:
[The man walks over to the side of the shed.]
LANGLY [really not enjoying it]:
[The man is now holding a double barreled shotgun. Jimmy raises his hands.]
MAN:
[Jimmy with both hands raised shakes his head. Langly with his free hand raised shakes his head. At this point Shelly and Frohike enter the shed.]
SHELLY:
[The man looks at her.]
SHELLY:
MAN:
[Cut to later, outside. Jimmy is pouring water over Langly's hand and arm. Langly yells.]
LANGLY:
[Jason Guthrie is looking at the piece of paper Byers is showing him.]
JASON:
JIMMY:
MAN:
[to Shelly]
MAN:
SHELLY:
BYERS:
MAN:
[To Frohike.]
MAN:
FROHIKE:
JASON:
FROHIKE:
[Jason nods.]
FROHIKE:
LANGLY:
BYERS:
LANGLY:
BYERS [smiles]:
[Night. An exterior view of the military base. Large hangars and other buildings.]
[Cut to inside one of the buildings. A man in an Air Force dress uniform is walking down a corridor. It's Jimmy. He throws a salute to the cleaner who looks at him rather oddly. He continues down the corridor. He stops and checks back to the cleaner who goes into a room.]
[Cut to office. Jimmy bursts in. It's dark but Jimmy has a flashlight. He closes the door and starts looking around.]
[Cut to a shot of the lower half of someone wearing fatigues and boots - walking down a corridor.]
[Back in the office, Jimmy is checking out a filing cabinet. He takes out a stack of files.]
[Cut back to the person walking down the corridor, getting nearer.]
[Jimmy switches on a desk lamp and settles down on the floor to look at the files.]
[Person still walking down the corridor. We see it's an MP. He shines his flashlight at an office that's been broken into.]
[Jimmy searches his pockets and takes out the piece of paper. He's checking it against a document in one of the files as the door opens. The document is the same.]
JIMMY:
MP:
[Jimmy winces.]
MP:
[Jimmy stretches face down on the floor. He's still holding the document from the file.]
MP:
JIMMY:
[He grabs the MP's legs and sends him tumbling to the ground. A fight ensues in which the MP throws Jimmy against the filing cabinet. The MP grabs at the document but Jimmy reaches out for it as well and the document is torn in two. Jimmy then wrestles the MP to the ground, pulling his arms behind his back. In the struggle, Jimmy grabs the MP's beret and it comes off in his hand revealing the MP's long, black, wavy hair.]
YVES [talking in a deep voice]:
[Yves pulls out a dental plate similar to the type Frohike used in an earlier episode.]
YVES:
[She puts half of the torn document inside her jacket. She kicks Jimmy who ends up on the floor against the filing cabinet.]
[Fade to black.]
[Jason Guthrie's house. Frohike, Yves, Jimmy, Shelly, Langly and Byers are there.]
FROHIKE:
FROHIKE:
BYERS:
FROHIKE:
[They turn to look at Yves.]
LANGLY:
YVES:
[Langly gets up and goes over to her.]
LANGLY:
[This seems to be news to Yves.]
YVES:
JIMMY:
YVES:
FROHIKE:
YVES:
BYERS:
YVES:
BYERS:
FROHIKE:
LANGLY:
YVES:
[She places her hand on her chest then pulls out the other half of the torn document. She walks over to the table.]
YVES:
[Frohike puts the two halves together. Jason Guthrie comes in.]
JASON:
FROHIKE:
[Frohike points to the document]
FROHIKE:
JIMMY:
JASON:
FROHIKE:
BYERS:
[Cut to the barn. J.T. still not happy.]
JASON:
[Shot of feet - polished ordinary shoes, dark trousers - walking across straw-covered floor.]
JASON:
[Jason looks up - it's the man who hired Yves, Farst.]
JASON:
FARST:
[He takes a document, likely a bank draft or check, from his inside coat pocket.]
FARST:
[He hands the paper to Jason.]
FARST:
[Day. The VW drives into the Guthrie yard. Frohike is driving, he toots the horn several times. Langly, Byers and Jimmy - still putting on his trousers - come out of the house. Frohike goes over to them, holding a newspaper.]
FROHIKE:
[Langly and Byers have reached him, Jimmy has fallen over.]
LANGLY:
FROHIKE:
[The headline on the newspaper - Minot Progress Gazette - reads: "End of an era – Silos to be demolished today
BYERS:
FROHIKE:
[The four, including Jimmy who's almost got his trousers on, pile into the VW.]
[Cut to road, marching feet, military band.]
[A Marching Band is processing through the base. Engineers are preparing explosives. There's a crowd of people sitting in a stand, including Jimmy and Yves who's watching something through binoculars. They both look very anxious. Yves checks her watch. Camera pans to outside view of one of the silos.]
[Fade to interior of the silo. Ropes hang down from a metal railing. ]
BYERS:
[Frohike is shown in a harness. He has a helmet with a light attached.]
FROHIKE:
LANGLY:
[We see all three Gunmen in harnesses as they abseil down to the floor of the silo. They have torches on their helmets illuminating their descent into the darkness.]
BYERS [nto his microphone]:
[Cut to Yves and Jimmy.]
YVES:
[Through Yves' binoculars we can see two engineers by the top of the silo, arranging wiring.]
[Cut back to silo. The Gunmen are walking through the silo, they have flashlights as well as their helmet lights.]
LANGLY:
BYERS:
FROHIKE:
[They look around some more.]
FROHIKE:
[Frohike cleans off the dust on a large metal door. SILO STORAGE is painted on the doors in large letters.]
FROHIKE:
[They slide open the doors.]
[We cut back to Jimmy and Yves, who is anxiously looking at her watch. The engineers start walking away from the silo and a siren sounds. Yves looks through her binoculars towards the road and sees a flat-bed truck driving off loaded with an old car partially covered by a tarpaulin. She focuses on the driver - it's Farst, the man who hired her. He sees her watching and smiles. Yves and Jimmy leave their seats.]
YVES:
[Cut to the Gunmen in the silo.]
YVES [VO]:
BYERS:
[Cut to Yves.]
YVES:
[Cut back to silo. Yves' voice is broken up.]
FROHIKE:
[They go over to a very large packing case.]
[Cut to above ground. Siren sounds again. The crowd starts counting down, "Ten, nine" etc. The engineers are running.]
[Cut to silo. Shot from inside the packing crate as the Gunmen open it and walk in. Inside the crate is a cinder block.]
[Cut to Yves.]
YVES:
[Cut to Lone Gunmen, realizing they've been had.]
[Cut to above ground. The first silo explodes, then a second, then a third. Jimmy and Yves look on in horror. More explosions. The crowd is cheering and applauding.]
YVES [annoyed:
[Fade to black.]
[It's night. A figure is using a pickaxe on a large area of stony rubble. Then picking up and throwing large lumps of concrete.]
YVES [VO]:
JIMMY:
[Jimmy is crying. He goes back to using the pickaxe. Yves is leaning up against her car.]
YVES:
JIMMY:
YVES:
JIMMY:
[Suddenly Yves notices something in the distance. Through the fog walk three weary figures. Yves recognizes them and smiles. She turns to Jimmy.]
YVES:
[Jimmy is still tackling the rubble.]
YVES:
[He turns and sees Yves and the three figures. He realizes who they are and he breaks into a very broad grin.]
JIMMY:
[He rushes forward and grabs the three Gunmen in a bear hug. They quickly break free from his grasp.]
LANGLY:
FROHIKE:
JIMMY:
BYERS:
LANGLY:
JIMMY:
FROHIKE:
[To Yves]
FROHIKE:
YVES:
FROHIKE:
[Cut back to Guthrie house. Guthrie is sat a table. He has the bank draft in front of him.]
JASON:
SHELLY [to the Gunmen]:
FROHIKE:
[The other two nod in agreement.]
SHELLY:
BYERS:
LANGLY:
[Cut to the barn. A tarpaulin is pulled off a vehicle. Frohike touches it lovingly.]
SHELLY:
FROHIKE:
BYERS:
JASON:
JIMMY:
YVES:
SHELLY [to Jason]:
FROHIKE:
SHELLY:
FROHIKE:
SHELLY:
LANGLY:
BYERS:
YVES:
SHELLY:
BYERS:
SHELLY:
FROHIKE:
SHELLY:
BYERS:
SHELLY:
[A man enters the barn. It's Farst.]
FARST:
FROHIKE:
FARST:
[He pulls out a gun. They all raise their hands.]
YVES:
FARST:
[Jimmy makes a leap and grabs a certain part of J.T.'s anatomy. J.T. kicks back, kicking Farst out through the side of the barn. Yves looks admiringly at Jimmy. Jimmy grins. The rest gather round J.T., Frohike checking out J.T.'s undercarriage. Jimmy looks over at Jason who grins back at him.]
[Cut to medics carrying Farst out on a gurney. Farst is in pain. Jimmy grins at Yves who gives him a "Oh, no" raised eyebrows look and gets in her car.]
JIMMY [VO]:
[The ambulance drives off.]
JIMMY [VO]:
[Jason and Shelly are walking, Jason takes hold of Shelly's hand.]
JIMMY [VO]:
[Close up of Jason's and Shelly's clasped hands. Then we see them smiling and laughing.]
JIMMY [VO]:
[In the barn, the Gunmen are working on the car.]
JIMMY [VO]:
[Frohike unscrews the top of a pipe and pours water into it.]
JIMMY [VO]:
[Cut to outside the barn. Byers slides open the doors.]
JIMMY [VO]:
[Frohike is driving the car out.]
JIMMY [VO]:
[Frohike is driving the car, grinning from ear to ear.]
JIMMY [VO]:
[Now we are looking down from a roof into the yard: Frohike is driving the car round in circles while Langly, Byers and Jimmy follow in delight.]
[Fade to black.]
Starring:
Bruce Harwood (Byers)
Tom Braidwood (Frohike)
Dean Haglund (Langly)
Stephen Snedden (Jimmy Bond)
Zuleikha Robinson (Yves Adele Harlow)
Guest Starring:
Shareen Mitchell (Shelly Mizer)
Timothy Webber (Jason Guthrie)
Mark Valley (Henry Farst)
Co-Starring
Michael Eklund (Clerk)
Featuring:
Eric Pospisil (Young Ringo)
Gordie Girouk (Young Frohike)
Billy Mitchell (Farmer)
Jay Kirby (Football Player)
Matthew Munn (Boy in Suit)
Lauren Kennedy (Pigtail Girl)
Bin Libbiter (Freckle Face Boy)
Katlyn Alexandra Ducharme (Snooty Girl)
Danny McKinnon (Towhead Boy)
Music by Mark Snow
Editor: Nina M. Gilberti
Production Designer: Mark Freeborn
Director of Photography: Barry Donlevy
Co-Producer: Gigi Coello-Bannon
Co-Producer: Kathy Gilroy-Sereda
Producer: Bryan Spicer
Co-Executive Producer: John Peter Kousakis
Written by: Colin Friesen
Directed by Richard Compton
Executive Producers: Chris Carter, Vince Gilligan, John Shiban, Frank Spotnitz
Story Editor: Rafael Moreu
Based on characters Byers, Frohike and Langly created by Glen Morgan & James Wong
Canadian Casting by: Coreen Mayrs, C.S.A., Heike Brandstatter
Casting by: April Webster, C.S.A., Elizabeth Greenberg
Production Manager: Kathy Gilroy-Sereda
First Assistant Director: Jack Hardy
Second Assistant Director: Roger Russell
Computer Playback: Scott Steyns
Set Decorator: Mark Lane
Art Director: Catherine Ircha
Script Supervisor: Helga Ungurait
Location Manager: Danny McWilliams
Visual Effects Producer: Mat Beck
Production Coordinator: Clark Candy
Production Coordinator: Roberta Cenedese
Gaffer: Richard Buckmaster
Key Grip: Fraser Boyle
Special Effects Coordinator: Bob Comer
Stunt Coordinator: Lou Bollo
Make-Up: Joann Fowler
Hairstylist: Jill Corp
Costume Designer: Diane Widas
'A' Camera Operator: Michael Wrinch
'B' Camera Operator: Stefan von Bjorn, Robert Creese
Transportation Coordinator: James Perenseff
Construction Coordinator: Mike Rennison
Property Master: David Perun
Head Painter: Jenny Seinen
Second Unit Director of Photography: Stephen Jackson
Second Unit First Assistant Director: Sirish Harman
Second Unit Assistant Production Coordinator: Jennifer Metcalf
Head Accountant: Wendy O'Neill
Extras Casting: Lisa Ratke
Script Coordinator: Kurt A. Langenhahn
Researcher: Katrina Cabrera-Ortega
Canadian Casting Assistant: Errin Clutton
Vice President, Ten Thirteen: Mary Astadourian
Assistants to Chris Carter: Brad Follmer, Jeffrey Russell
Assistants to the Producers: Sandra Tripicchio, Genny Hutchison, Darren Kaliciak
Post Production Coordinator: Daniel Mosley
Assistant Editor: Jimmy Sandoval
Music Supervisor: Barklie Griggs
Scoring Mixer: Larold Rebhun
Music Editor: Jeff Charbonneau
Sound Mixer: Michael Williamson, C.A.S.
Rerecording Mixers: Don Digirolamo, Todd Langner
Supervising Sound Editor: Mark Kamps
Rerecorded at Westwind Media, Inc.
Sound Editorial: Miles O'Fun Sound, Inc.
Main Title Design: Ramsey McDaniel
Processing & Telecine: Rainmaker Digital Pictures
Video Post: Encore
On-Line Editors: Garth O'Donnell, Mark Sherman
DaVinci Colorist: Gareth Cook
Camera and Lenses: The Camera Shop
Filmed on Location in British Columbia, Canada