[A grey, war-torn city. Soldiers are firing guns.]
WATERS:
[The captain speaks into the radio.]
CAPTAIN:
RADIO:
[Firing continues from snipers. The soldiers duck into cover. One soldier has been shot and his comrades tend his wounds.]
[Derelict buildings, rubble strewn in the street.]
WATERS:
HOBBES:
WATERS:
[Hobbes is looking at a mirror on the end of a stick, so he can see what's happening in the building across the street.]
WATERS:
HOBBES:
[In the mirror can be seen the children, ranging in ages from very young to mid teens. They are running into the building.]
WATERS:
[The smallest child stops and bends down, possibly to tie her shoelace. The other children continue into the building. As Hobbes and Waters watch, the little girl stands up and can't see the other children. She starts crying.]
HOBBES:
[Waters stands up.]
WATERS:
HOBBES:
[As Waters runs out of cover, Hobbes covers him, firing at the snipers' position. Waters runs across the street, scoops up the little girl and runs for cover in the building opposite. Hobbes ducks back down and reloads his gun.]
[Inside the building, Waters puts down the little girl, who is still crying. The building is open to the sky, the roof having collapsed.]
WATERS:
[As Waters tries to calm the little girl, the other children emerge from the back of the building. The oldest child, a boy about fourteen years old, carries a gun. Waters slowly gets to his feet, holding his hand out to the boy.]
WATERS:
[He urges the little girl forward. The boy with the gun shouts in a foreign language. Waters seems to realise that he's in trouble. On the other side of the street, Hobbes waits, then hears gunfire.]
HOBBES:
[He looks over to his comrades, who are still tending to the wounded man.]
HOBBES:
RADIO:
CAPTAIN:
HOBBES:
CAPTAIN:
[Hobbes hesitates only briefly, then gets to his feet.]
CAPTAIN:
[Other soldiers open fire, covering Hobbes as he runs across the street. He runs into the building, gun at the ready.]
HOBBES:
[He hears a whisper.]
WATERS:
[Hobbes looks into a gap in the floor and sees Waters lying on the ground, bleeding. Hobbes jumps down.]
WATERS:
[Waters' gun, helmet are now missing.]
WATERS:
[Hobbes pulls back Waters' jacket, revealing a large amount of blood.]
HOBBES:
[Hobbes puts his hands on Waters' chest, trying to stem the bleeding.]
HOBBES:
WATERS:
[Hobbes looks around for shelter. He drags Waters to a safer place, then finds an old mattress which he uses to cover himself and Waters. He takes off his helmet and places it on Waters' head. He sees some graffiti on a nearby wall - two crossed swords. He thinks while waiting for the bombing to begin.]
HOBBES (V.O.):
[The bombs start falling, blasting the two with bright white light.]
[Spring, blossom adorns the trees set in grassy play area.]
[Children are playing happily. A red jeep drives down the road. Hobbes is driving. He's happy. He passes a small white-painted wooden church and looks over at it, smiling. He draws up at a small house and jogs up to the front door and unlocks it.]
HOBBES:
SOPHIE:
HOBBES:
SOPHIE:
[He's amused. He's looking through the mail and selects one particular envelope.]
HOBBES:
[He smiles at his little joke.]
SOPHIE:
[He looks over to the door and sees Sophie standing there, holding her beautiful wedding dress up against her. Hobbes is obviously overwhelmed.]
SOPHIE:
[Hobbes looks away.]
SOPHIE:
HOBBES:
SOPHIE:
[Hobbes is still not looking at her.]
HOBBES:
SOPHIE:
HOBBES:
SOPHIE:
[She steps forward, dropping the dress, revealing that she's not wearing anything. Hobbes looks at her now, looks briefly out the front window.]
HOBBES:
SOPHIE:
HOBBES:
[They embrace and kiss.]
[Much later. A candle illuminates their bedroom. Photographs of Hobbes and Sophie can be seen, together by the Eiffel Tower, one with Waters, and one of Hobbes with a small dog. Hobbes and Sophie are in bed.]
HOBBES:
SOPHIE:
HOBBES:
SOPHIE:
[She tickles him. He laughs.]
HOBBES:
SOPHIE:
[There's a knock at the front door.]
SOPHIE:
[Hobbes, now dressed, opens the front door. Two soldiers are standing there.]
SOLDIER:
HOBBES:
SOLDIER:
HOBBES:
SOLDIER:
[Sophie comes out of the bedroom, dressed in a dressing gown.]
SOPHIE:
[No-one has an answer for her.]
[Hobbes is driven to an open area, surrounded by forest, in which stands a Quonset hut. He enters and sees a group of military people, including one woman. The colonel turns around and looks at him. Hobbes salutes.]
HOBBES:
[The colonel walks over to him.]
COLONEL:
[The colonel shakes his hand.]
COLONEL:
HOBBES:
COLONEL:
[Hobbes doesn't answer.]
COLONEL:
[A little later, in another room, Hobbes and the military people are sat around a table, eating breakfast.]
COLONEL:
HOBBES:
[He shakes his head.]
COLONEL:
HOBBES:
ANOTHER OFFICER:
COLONEL:
SECOND OFFICER:
HOBBES:
COLONEL:
HOBBES:
[The female officer, Inga Fossa, answers.]
INGA FOSSA:
HOBBES:
ANOTHER OFFICER:
[Hobbes, puzzled, looks at the colonel.]
COLONEL:
ANOTHER OFFICER:
[Hobbes is wary about this officer's comment.]
[Hobbes is in a separate room, furnished only with a red leather chair and a large TV screen. He's holding a pair of headphones and seems a little edgy. The colonel comes in.]
COLONEL:
[A soldier comes in and places Hobbes' overnight bag and a metal case on the floor.]
HOBBES:
COLONEL:
[The soldier has left and the colonel walks to the door.]
HOBBES:
[The colonel stops and looks back at him.]
HOBBES:
[The colonel hesitates briefly.]
COLONEL:
[He leaves. Hobbes looks at the headphones from which comes a feedback whine. The headphones also have unusual protuberances around the edges. He puts the headphones on. He notices that the left arm of the chair has the work 'SIEGE' written on it. He looks at the right arm which has 'PERILOUS' written on it. Then music starts playing in his headphones and images appear on the TV screen. The music is military and the screen shows shots of airborne soldiers, aircraft carrier, troops storming a beach - all the kinds of music and images in a military recruitment film. A woman narrates.]
NARRATOR:
[The screen now shows a mushroom cloud, a stealth bomber, missile launches]
NARRATOR:
[The screen shows images to illustrate the narration.]
NARRATOR:
[The images on the screen are now changing very fast, intercut with static.]
NARRATOR:
[The video suddenly stops. The lights in the room flicker. Hobbes takes off the headphones and walks towards the door. When he opens it, he sees that no-one is in that room. He opens the door into the room where he first entered the Quonset hut and that too is empty.]
HOBBES:
[He goes over to the entrance door and opens it. Immediately a bullet is fired, hitting the doorframe by his head. He ducks back into the room, and sees through the open door a group of people running towards the hut. A man, Mike Pinocchio, appears in the doorway, armed. He looks around but sees no-one there. He moves cautiously through the room and starts searching the rest of the hut. In the roof structure above the front room is Hobbes gripping hold of the metal struts to keep himself out of sight. He watches as the group of people enter the hut. They are dressed in ragged clothes. Pinocchio comes out into the room carrying Hobbes' overnight bag and the metal case. The people make a grab for these and Pinocchio throws them Hobbes' bag which they scramble for. Pinocchio opens the metal case, which contains a handgun and ammunition. From his viewpoint in the rafters, Hobbes sees the people leave with his possessions. Pinocchio, holding the handgun, moves outside the hut, searching for Hobbes. Hobbes drops down from the rafters and looks at the metal case.]
PINOCCHIO:
[Hobbes turns and sees the man framed in the doorway, pointing the gun at him.]
PINOCCHIO:
[Pinocchio walks towards him.]
PINOCCHIO:
[Hobbes doesn't move.]
PINOCCHIO:
[Hobbes takes off his watch and hands it to him.]
PINOCCHIO:
[Hobbes pulls out his wallet from his pocket and hands it out. Pinocchio smacks it out of his hand onto the floor.]
PINOCCHIO:
[Hobbes takes something out of his shirt pocket.]
HOBBES:
PINOCCHIO:
[Hobbes hands out the ring and as Pinocchio grabs it, Hobbes jumps him, gets hold of the handgun. Pinocchio spins away and draws his gun from his holster. Pointing their guns, they circle each other, a Mexican standoff.]
HOBBES:
PINOCCHIO:
[There's the sound of a helicopter approaching.]
PINOCCHIO:
[Pinocchio makes for the open door.]
HOBBES:
[Pinocchio is now outside, and he starts running. The group of people are also running for the treeline. Hobbes exits the hut and starts running after them. As he runs, the helicopter flies very low and launches a missile at the hut. It explodes, throwing Hobbes to the ground. He gets up and looks back to see the hut is completely destroyed. Armoured vehicles now arrive on the other side of the clearing. Soldiers on the vehicles are shooting. The helicopter has turned and is now chasing all the people, Hobbes being the last in line. The helicopter opens fire and one man is hit. Hobbes reaches him and pulls him to his feet.]
HOBBES:
[Hobbes lifts the man on to his back in a fireman's lift and starts running towards the trees. All the other people have now made their escape into the forest. Gunfire hits the man that Hobbes is carrying. Suddenly the man fades and disappears. Hobbes stops and looks around, confused. The soldiers are still firing, so Hobbes runs for the forest. The helicopter lands and the military vehicles come to a stop. Hobbes watches and sees a man get out of the helicopter and joins a group of soldiers. Hobbes is astounded when he recognises the soldier - Waters. He stands up and shouts at Waters.]
HOBBES:
[Suddenly a shot rings out and Hobbes is hit in the chest. He falls back onto the ground. Soldiers are shouting commands, but Hobbes isn't listening. Someone appears in Hobbes' view, and drags Hobbes away to safety.]
HOBBES:
[The person, Florence, doesn't answer but starts unbuttoning Hobbes' shirt.]
HOBBES:
[Florence, who has very short hair, and looks very fit and strong, rips open Hobbes undershirt to reveal a bullet wound.]
HOBBES:
[Still she doesn't answer, but takes out a cloth pad and staunches Hobbes' wound.]
HOBBES:
[Blood still pours out of Hobbes' wound. Florence puts her hand over the wound for a moment and when she takes her hand away, the blood stops, and the wound heals up. Then she gets up and runs away. Hobbes looks at his now-healed wound. He gets to his feet and looks around but can't see anybody. He starts jogging away into the forest.]
[Later, Hobbes is running down the street towards his house. There is nothing but destruction around, fires burning, debris scattered over the ground.]
HOBBES (V.O.):
[He reaches his jeep, which is burned out.]
HOBBES (V.O.):
[He runs up to his house.]
HOBBES:
[The window glass is broken, the curtains torn.]
HOBBES:
[He bursts in through the broken door, and sees nothing but destruction and graffiti.]
HOBBES:
[He hears a noise from an adjoining room.]
HOBBES:
[But this room is the same. The noise is a dog whimpering. Hobbes gets to the floor and looks underneath what's left of the bed. The dog is the same as the one in the photograph with Hobbes.]
HOBBES:
[Hobbes walks down the deserted streets, Dexter walking alongside him.]
HOBBES (V.O.):
[Hobbes walks up to the church from which loud music can be heard. He enters through a curtain, carrying Dexter. The former church is now a bar, dimly lit, filled with people, women in revealing clothing, people smoking. They turn and look at Hobbes as he enters. As Hobbes approaches the bar he sees Pinocchio examining his ring by the light of a cigarette lighter.]
PINOCCHIO:
BARKEEPER:
[Hobbes points his gun at Pinocchio. Pinocchio looks more exasperated than worried.]
HOBBES:
PINOCCHIO:
[The barkeeper takes out a gun and cocks it. Most of the customers take out guns and point them at Hobbes.]
PINOCCHIO:
HOBBES:
[Pinocchio turns round to face Hobbes.]
PINOCCHIO:
[Dexter whimpers. Hobbes looks puzzled, looks around the bar, then angry, uncocks his gun. Everyone else relaxes.]
PINOCCHIO:
HOBBES:
PINOCCHIO:
[Hobbes looks at the barkeeper, who puts the ring in his shirt pocket. Pinocchio has gone back to his drink.]
PINOCCHIO:
[Hobbes looks puzzled.]
HOBBES:
[Hobbes turns round and addresses the crowd.]
PINOCCHIO:
[Everybody laughs. Pinocchio turns back to Hobbes.]
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
[Pinocchio snorts and shakes his head. Hobbes picks up Dexter and starts walking to the door. Then he stops, looks down at Dexter, then turns back.]
HOBBES:
[Pinocchio doesn't respond and Hobbes heads out of the bar. Pinocchio thinks then follows him.]
PINOCCHIO:
[Hobbes stops and looks back at him.]
PINOCCHIO:
[Later that night, a car drives down a dirt trick towards a wire fence. The car is heavily protected with grills and mesh. Hobbes gets out, carrying Dexter. Pinocchio follows him.]
HOBBES:
PINOCCHIO:
[Hobbes looks at the fence. It's very high and topped with razor wire.]
HOBBES:
[Pinocchio picks up a small rock. He walks alongside the fence until he gets to a particular place.]
PINOCCHIO:
[He throws the rock at the fence. There's a shimmer as the rock goes straight through the fence as if it wasn't there and lands safely on the other side.]
PINOCCHIO:
[Hobbes walks towards the fence.]
PINOCCHIO:
[Pinocchio picks up another small rock and throws it where Hobbes had been about to touch the fence. The rock explodes on contact, and falls to the ground in pieces, burning. Hobbes looks shocked.]
PINOCCHIO:
[Hobbes starts walking to the section where the rock had gone through safely. Pinocchio grabs his shoulder.]
PINOCCHIO:
HOBBES:
[Hobbes smiles and walks to the fence. Pinocchio grabs Hobbes' gun from his waistband. Hobbes and Dexter go through the fence safely.]
PINOCCHIO:
[Hobbes turns round. Pinocchio raises the gun to fire a warning shot, pulls the trigger, but the gun is not loaded.]
PINOCCHIO:
[Hobbes holds up Pinocchio's car keys.]
HOBBES:
[Hobbes walks off.]
PINOCCHIO:
[A grassy area, from which can be seen a cityscape, tall buildings, many lights.]
[A soldier patrols. His uniform bears a badge showing crossed swords. He stops, then notices something. Dexter walks up to him, and sits. The soldier bends over to talk to him.]
SOLDIER:
[Dexter barks and wags his tail.]
SOLDIER:
[Suddenly the soldier is on his back. Hobbes pulls out the soldier's gun.]
HOBBES:
[An area of Santiago City. Very pleasant, well looked after. A jeep draws up in front of an apartment building. Waters gets out. He approaches the entrance where he is greeted by the doorman.]
DOORMAN:
[Waters nods at him, enters the building, then goes to his apartment. He unlocks the door into the darkened apartment, enters, then closes the door.]
HOBBES:
[Hobbes puts his gun to the back of Waters' neck.]
WATERS:
HOBBES:
[Waters turns to face Hobbes.]
WATERS:
HOBBES:
WATERS:
[Hobbes is still pointing his gun at Waters.]
HOBBES:
WATERS:
HOBBES:
WATERS:
HOBBES:
WATERS:
HOBBES:
[Hobbes lowers his gun.]
WATERS:
[The front door opens. A woman enters the darkened hallway. Then she moves into the light - the woman looks exactly like Sophie. Waters looks over at Hobbes who is shocked.]
HOBBES:
["Sophie" looks puzzled.]
"SOPHIE":
[Waters doesn't know how to answer her. He goes to Hobbes and whispers to him.]
WATERS:
[Hobbes is angry.]
HOBBES:
WATERS:
HOBBES:
[He pushes Waters away and goes over to "Sophie".]
"SOPHIE":
HOBBES:
[He turns and points his gun again at Waters.]
HOBBES:
[A little later, out in the night streets. Hobbes and Sophie walk away from the apartment building.]
HOBBES:
"SOPHIE":
HOBBES:
[As they pass a streetlight, Hobbes is seen to be wearing Waters' jacket, with the crossed-swords emblem.]
"SOPHIE":
[Hobbes angrily stops her.]
HOBBES:
[Hobbes pulls out his wallet and reveals the photograph of Sophie that he has in it. "Sophie" is even more worried and confused.]
"SOPHIE":
[Hobbes puts his wallet away, takes "Sophie's" arm and they starting walking again.]
HOBBES:
"SOPHIE":
[There are sounds of sirens approaching. Hobbes stops and watches three armoured jeeps drive by. Then a bus drives by, with a picture of man's face, wearing a beret, and bearing the legend: One People, One Nation, One Santiago.]
[On the outskirts of the city, on the grassy area near the fence.]
"SOPHIE":
HOBBES:
[Just ahead of them, Dexter scampers towards the fence. "Sophie" realises that Hobbes plans to take her through the fence and pulls back.]
"SOPHIE":
[On the other side of the fence, Pinocchio is trying to hotwire his car when he hears "Sophie's" voice.]
"SOPHIE":
[Pinocchio gets out of the car and sees Hobbes, "Sophie" and Dexter approach the fence.]
"SOPHIE":
HOBBES:
PINOCCHIO:
"SOPHIE":
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
PINOCCHIO:
[They've reached the fence and go through.]
PINOCCHIO:
[Dexter follows. "Sophie" is bewildered.]
PINOCCHIO:
[The lights on the top of the fence come on and an alarm sounds.]
PINOCCHIO:
[He grabs "Sophie" and pushes her towards the car.]
PINOCCHIO:
[Later, in the forest. In the earth there is a square, man-made opening leading into an underground area. Waters rips the front of "Sophie's" blouse revealing a rectangular mark on her right breast, looking something like a barcode.]
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
[Pinocchio moves away and Dexter barks at him.]
PINOCCHIO:
[He collects a bag from one side of the bunker..]
PINOCCHIO:
[He takes some equipment out of the bag as "Sophie" sits on a bench. Hobbes looks into an open bag and pulls out a set of dogtags.]
HOBBES:
[Pinocchio grabs him, angry.]
PINOCCHIO:
[Pinocchio goes back to "Sophie".]
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
PINOCCHIO:
["Sophie" is listening intently.]
PINOCCHIO:
HOBBES:
PINOCCHIO:
[He pulls "Sophie's" blouse away and puts antiseptic on her skin.]
[Soldiers are moving slowly through the rainy forest.]
[Inside the bunker, Pinocchio is holding a small blade in the flame of his lighter.]
HOBBES:
PINOCCHIO:
[Hobbes looks over at "Sophie", who looks petrified, and whispers to Pinocchio.]
HOBBES:
PINOCCHIO:
[Pinocchio goes over to "Sophie" to begin work. Hobbes strokes her hair. "Sophie" winces in pain.]
[The soldiers have now found the opening to the underground bunker. One jumps down into it and looks around. Then sees and picks up the implant.]
[Pinocchio's car is driven away at speed.]
[Later that night. A harbour, a small vessel berthed alongside a wooden jetty. Pinocchio's car draws up nearby and he gets out.]
HOBBES:
PINOCCHIO:
[Pinocchio runs onto the jetty, where the Barkeeper is standing with another man.]
PINOCCHIO:
BARKEEPER:
[Hobbes has pulled "Sophie" out of the car and runs with her to the boat.]
HOBBES:
PINOCCHIO:
[Pinocchio continues to the boarding gangway. Hobbes and "Sophie" follow.]
HOBBES:
PINOCCHIO:
HOBBES:
[Hobbes aims his gun at Pinocchio. Pinocchio stops.]
PINOCCHIO:
HOBBES:
[Hobbes has pushed "Sophie" to the foot of the gangway.]
PINOCCHIO:
[Then the Barkeeper and Pinocchio see something in the distance. Hobbes looks over and sees armoured vehicles approaching, the same kind as he saw in the street earlier. The Barkeeper runs off.]
BARKEEPER:
[Hobbes turns to "Sophie".]
HOBBES:
["Sophie" hesitates.]
HOBBES:
["Sophie" starts up the gangway, looks back at Hobbes.]
PINOCCHIO:
[Pinocchio turns away from Hobbes and runs back down the jetty, gets in his car and drives off at high speed. Hobbes stands on the gangway, watching "Sophie" as the boat pulls away. One of the armoured vehicles smashes through the gate to the jetty, soldiers get out, aiming their guns at Hobbes.]
[Inside a very grimy prison cell. Hobbes sits on the floor. Military personnel approach and the cell door is opened.]
WATERS:
[Waters has noticeable bruising on his face. Hobbes gets to his feet.]
WATERS:
[Santiago enters the cell. It was his face pictured on the bus that Hobbes saw earlier.]
SANTIAGO:
HOBBES:
SANTIAGO:
HOBBES:
SANTIAGO:
HOBBES:
SANTIAGO:
[Another door in the cell block opens. A number of people are led into the cell block, among them "Sophie". As "Sophie" passes by the cell she sees Hobbes, who is shocked to see that she has been captured. She also sees Waters, but turns away when he looks at her. Hobbes turns back to Santiago.]
SANTIAGO:
[Night. Outside a floodlit, impressive building. Inside, Hobbes is pushed into an apartment and left alone. It is a lavishly furnished apartment. In the dining room, a table is set with quantities of food. Hungry, Hobbes eats with relish.]
[In another apartment, "Sophie" is smacked across the face by Waters.]
WATERS:
["Sophie" looks at him.]
"SOPHIE":
[Waters looks over at Santiago who is standing in the doorway, then smacks "Sophie" again.]
SANTIAGO:
[Santiago moves to the door.]
"SOPHIE":
[Santiago moves swiftly to her, angry, he smacks her.]
SANTIAGO:
[Santiago bends down and lifts up her face and speaks intensely.]
SANTIAGO:
[He stands up.]
SANTIAGO:
[Santiago leaves.]
[The church/bar. The barkeeper pours a drink for Pinocchio which he downs in one. Florence stands next to him. In the dust on the bar, she writes: It's him. The barkeeper notices this.]
PINOCCHIO:
[Pinocchio rubs out the words and downs another drink.]
PINOCCHIO:
[Florence looks at him, Dexter barks. Pinocchio looks at the dog.]
PINOCCHIO:
[Both Florence and the barkeeper look at Pinocchio who gets up and moves away.]
[In the apartment building, armed soldiers patrol the hallways. They pass a set of elevator doors and when they are out of sight, the doors shimmer and Pinocchio and Florence, both armed, emerge into the hallway. Inside the apartment, Hobbes has eaten his fill of the food and is stretched out on a sofa. He hears a noise and looks over to the apartment door. A small bright light shows under the door. As Hobbes sits up he sees that it's a fibre optic scope. As he gets to the door, it opens and he sees Pinocchio and Florence.]
PINOCCHIO:
HOBBES:
PINOCCHIO:
HOBBES:
PINOCCHIO:
[Pinocchio gets closer to Hobbes and pulls down the front of his shirt to reveal a scar where his implant had been removed.]
PINOCCHIO:
HOBBES:
[Hobbes leaves. Pinocchio sighs and follows him.]
["Sophie's" bedroom. The door bursts open.]
HOBBES:
PINOCCHIO:
[Hobbes holds out his hand to "Sophie" but she hesitates.]
"SOPHIE":
[Hobbes is confused by that.]
PINOCCHIO:
["Sophie" takes Hobbes hand, and the three run down the hallway. Suddenly, there's a shout.]
WATERS:
[They stop, Hobbes moving in front of "Sophie" to protect her.]
WATERS:
[Pinocchio puts his gun on the floor.]
WATERS:
[Suddenly, gun fire rings out. Florence has emerged from a side corridor and fires at Waters, who ducks down behind some furniture. Pinocchio, Hobbes and "Sophie" get to their feet and run into the side corridor. They continue running. Waters gets to his feet and runs after them. He takes careful aim and shoots "Sophie" in the back. She falls and looks at Hobbes, horrified. Then she shimmers and disappears as Hobbes looks on. Hobbes looks back at Waters and starts walking towards him. Pinocchio runs back and grabs him just as other soldiers come round the corner. Pinocchio pulls him back, opening fire on the soldiers who fall to the ground. Behind them, Florence opens fire on another group of soldiers who have entered the hallway from the opposite direction. The three then enter the hallway where the elevators are. The soldiers get to their feet and chase after them. But there's no sign of them. Santiago then approaches.]
SANTIAGO:
WATERS:
SANTIAGO:
[Waters nods. He's upset.]
WATERS:
[Santiago looks down, then back at Waters. He puts his hand on Waters' shoulder, as if to comfort him.]
SANTIAGO:
[Santiago turns away, angry.]
SANTIAGO:
[The forest at night. Soldiers are searching. Hobbes, Dexter, Pinocchio and Florence are hiding.]
HOBBES (V.O.):
[In the real world, Hobbes is lying on a gurney, comatose. Electrodes and monitoring equipment attached to him. A doctor examines him. He is in a extensive room where other people are similarly comatose, being monitored. Hobbes is one among many, hundreds, perhaps thousands.]
Starring:
Scott Bairstow - Tom Hobbes
D.B. Sweeney - Mike Pinocchio
and
Terry O'Quinn - Omar Santiago
Special Guest Star:
Samantha Mathis - Sophie
Guest Starring:
Rachel Hayward
Sarah-Jane Redmond
and
Maximilian Martini as Waters
Co-Starring:
Michael David Simms - Lt Colonel Gilovich
Mark Houghton - 3rd Officer
Ronald Selmour - Bartender
Featuring:
Kurt Max Runte - Unit Commander Forsch
Sylvesta Stuart - Sergeant Peter McGonagle
Russell Porter - Republican Guard Soldier
D Neil Mark - Sentry
Jose Vargas - Latino Man
Dmitro Krasnogolov - Bosnian Youth
Tassis Bifano - Young Bosnian Girl
Robert Seckler - Doorman
Vinnie - Dexter the Dog
Music by Mark Snow
Edited by Michael Kewley
Production Designer: Graeme Murray
Director of Photography: Joel Ransom
Co-Producers: George Grieve, Janace Tashjian
Executive Producer: Tony To
Executive Producer: Daniel Sackheim
Executive Producer: Frank Spotnitz
Created by Chris Carter
Written by Chris Carter
Directed by Daniel Sackheim